“In the large book ‘The Art of Walt Disney from Mickey Mouse to the Magic Kingdom’ by Christopher Finch (N.Y. Harry N. Abrams, 1975) on page 11 an interesting and revealing statement is made:
‘By definition, public figures are known to everyone; yet, even after talking with some of Disney’s closest associates, it is impossible to escape the conclusion that nobody really knew him. Always there was some aspect of his personality that was just out of reach.’ Those who got to know Walt too closely make complaints such as he was ‘self-satisfied, intractable and arrogant.’ He could bring his artists to tears or anger in a matter of seconds.
Finch is not the only author who has tried to warn his readers that the public’s image of Walt Disney was just that – only a false image. Mosley also writes in his biography of Walt Disney:
‘Since Disney is regarded by millions of people, particularly in the United States, as perhaps this century’s most brilliantly successful creator of screen animation, I think I should make one thing clear right away. I share the general admiration of a man whose cinematic achievements were always so happily inspired and inspiring. But – and this is where I differ from uncritical idolaters – I have to know all the facts, no matter how unpalatable, as well as the romantic myths about any great man or woman I admire. Many of the myths that have been created by his publicists about Walt Disney are unpalatable, unbelievable, and unsatisfactory because so much of the real Walt Disney has been deliberately concealed. ..Walt Disney…had grave flaws in his character.’ (Mosley. Disney’s World, pg. 9)
Years ago, an Illuminati Grand Master and programmer stated,
‘If the world only had the eyes to see the fibers which lay under the surface of Walt Disney’s image, they’d tar and feather him, and drag him through the streets. If only they knew what Disney’s primary goal is.’
Who was Walt Disney? (1)
“In the large book ‘The Art of Walt Disney from Mickey Mouse to the Magic Kingdom’ by Christopher Finch (N.Y. Harry N. Abrams, 1975) on page 11 an interesting and revealing statement is made:
‘By definition, public figures are known to everyone; yet, even after talking with some of Disney’s closest associates, it is impossible to escape the conclusion that nobody really knew him. Always there was some aspect of his personality that was just out of reach.’ Those who got to know Walt too closely make complaints such as he was ‘self-satisfied, intractable and arrogant.’ He could bring his artists to tears or anger in a matter of seconds.
Finch is not the only author who has tried to warn his readers that the public’s image of Walt Disney was just that – only a false image. Mosley also writes in his biography of Walt Disney:
‘Since Disney is regarded by millions of people, particularly in the United States, as perhaps this century’s most brilliantly successful creator of screen animation, I think I should make one thing clear right away. I share the general admiration of a man whose cinematic achievements were always so happily inspired and inspiring. But – and this is where I differ from uncritical idolaters – I have to know all the facts, no matter how unpalatable, as well as the romantic myths about any great man or woman I admire. Many of the myths that have been created by his publicists about Walt Disney are unpalatable, unbelievable, and unsatisfactory because so much of the real Walt Disney has been deliberately concealed. ..Walt Disney…had grave flaws in his character.’ (Mosley. Disney’s World, pg. 9)
Years ago, an Illuminati Grand Master and programmer stated,
‘If the world only had the eyes to see the fibers which lay under the surface of Walt Disney’s image, they’d tar and feather him, and drag him through the streets. If only they knew what Disney’s primary goal is.’