This is part of psychological warfare, that’s what it’s meant to do is reduce you down to that level of hopelessness. All by design. Put out under the guise of entertainment. And this goes on and on, doesn’t it, you know, getting more and more so, every 20 years they step it up and step it up and step it up, until here we are today. They’re trying to really phase out any, I would say, heterosexual relationships that could breed children. Because they don’t want anybody breeding children anymore. Unless you’re awfully rich and wealthy, you know. You would even use artificial insemination then or genetic manipulation from sperm and ovum and have a third party to carry the child if you wanted to and you’ve got the money to do it. Then they’ll laud you as something wonderful. But everybody else is, no, you shouldn’t have children.
As I said before, they mentioned at the climate summit, and the climate summit they have, this Conference Of Parties every year, contains most of the same folk at the WEF, the World Economic Forum. It’s all big businesses, the big corporate businesses. Do you think that you just become a CEO by yourself… and then suddenly you have a flash of lightning and say, I’m on board with depopulation… and I’m on board with having no children for most folk… and I’m on board for, yeah, bring the population down to a manageable level… and so on? Do you think that’s what happens, like a sort of religious conversion here or something?
The same with the billionaires, oh, I just hit my second billion and I had this flash of lightning and I’m part of the Lucky Gene Club now. That’s one of the nicknames of the group that Gates and a few other important people… we’re not important, we’re not even essential anymore but that the important people belong to, ‘eh. The ones who decide our fate. Well, they are still not the bosses, mind you. The bosses are NEVER shown to the public, that way they can live quite happily and quietly. Anyone who shows their faces could be in danger, you see.
There were other good groups in the 60s and 70s and 80s, but the ones I would say in the 60s and 70s, most of them looked rather silly, you know. Even when they mimed on stage, they had this ultra-serious look, and they would just shuffle around with their instruments not even plugged into anything, just look silly. That overdone coolness was just too cool, you see, until it was rather silly. But you still had some decent musicians and singers that went through the clubs, that’s where they really serve their apprenticeships, you see, they weren’t in it for the big cash. They weren’t getting picked up, at least not initially at least, by those who pick them, take them over and manage them and promote them. And often ruin them.
You literally had people who went through the clubs and if you got through the club scene you know how to please a crowd. You know how to sense a crowd, anywhere you go. And if you didn’t know how to sense them you were done for, it’s like a death. Because a lot of these clubs in Britain were workman’s clubs. A LOT of them were workman’s clubs. And BIG clubs, mind you. If you were there on a Friday night and you were part of the performers or one of the performers you had better be GOOD because these guys weren’t in there just to listen to poetry, you know. And you didn’t, the ones that had drink in them too could terrify folk. I’ve seen people broken, absolutely broken because they had been trained by, you know, managers or teachers I would say, for certain types of music that was, [Alan chuckles.] would be fine in an opera house but not in some of these clubs. I’ve literally seen people cry and run off stage, just devastated, probably never go back again. But that’s what you sense if you’ve gone up through the clubs.
Other places, there could be a different mood, at that same club might have a different mood the next time or during the week or something. That’s how you learn, you see, these are professionals. Lots of the individual singers as well were singing happy-go-lucky songs, you know, boy/girl stuff. And it was all quiet, it was decent, that’s what young folk want to hear about. At least it was then. In come the 70s and they start to alter, on command, not by… You understand, you would have a whole bunch of different kinds, really different kinds of music if it was natural. You wouldn’t have, oh, suddenly THIS is popular and that’s ALL you’re going to hear unless it’s directed and managed, which it is, of course.
So out comes the new costumery and then the long hair came. It got so absurd with the long hair until the ones who they were promoting to be stars probably spent more on getting their hair permed than most women did. And I really mean that, you would see it all. Then the really tight pants. It was like painted on pants for goodness sake. Until you had to say, what are these characters? You start to wonder, you see. All by design. And everywhere you looked that’s all they would promote at one point. That happened. As I say, in a real system you’d have ALL kinds of music, not what they say, this is what’s popular, this is what we’ll push. No, what’s popular is what they MAKE to be popular. Everything else is excluded on purpose. That’s the culture, that’s what the culture industry does. And its agenda is far bigger, FAR bigger than to have you smile or cry at music.
[Alan Watt, Cutting through the Matrix, January 2021]
The all-by-design culture industry
This is part of psychological warfare, that’s what it’s meant to do is reduce you down to that level of hopelessness. All by design. Put out under the guise of entertainment. And this goes on and on, doesn’t it, you know, getting more and more so, every 20 years they step it up and step it up and step it up, until here we are today. They’re trying to really phase out any, I would say, heterosexual relationships that could breed children. Because they don’t want anybody breeding children anymore. Unless you’re awfully rich and wealthy, you know. You would even use artificial insemination then or genetic manipulation from sperm and ovum and have a third party to carry the child if you wanted to and you’ve got the money to do it. Then they’ll laud you as something wonderful. But everybody else is, no, you shouldn’t have children.
As I said before, they mentioned at the climate summit, and the climate summit they have, this Conference Of Parties every year, contains most of the same folk at the WEF, the World Economic Forum. It’s all big businesses, the big corporate businesses. Do you think that you just become a CEO by yourself… and then suddenly you have a flash of lightning and say, I’m on board with depopulation… and I’m on board with having no children for most folk… and I’m on board for, yeah, bring the population down to a manageable level… and so on? Do you think that’s what happens, like a sort of religious conversion here or something?
The same with the billionaires, oh, I just hit my second billion and I had this flash of lightning and I’m part of the Lucky Gene Club now. That’s one of the nicknames of the group that Gates and a few other important people… we’re not important, we’re not even essential anymore but that the important people belong to, ‘eh. The ones who decide our fate. Well, they are still not the bosses, mind you. The bosses are NEVER shown to the public, that way they can live quite happily and quietly. Anyone who shows their faces could be in danger, you see.
There were other good groups in the 60s and 70s and 80s, but the ones I would say in the 60s and 70s, most of them looked rather silly, you know. Even when they mimed on stage, they had this ultra-serious look, and they would just shuffle around with their instruments not even plugged into anything, just look silly. That overdone coolness was just too cool, you see, until it was rather silly. But you still had some decent musicians and singers that went through the clubs, that’s where they really serve their apprenticeships, you see, they weren’t in it for the big cash. They weren’t getting picked up, at least not initially at least, by those who pick them, take them over and manage them and promote them. And often ruin them.
You literally had people who went through the clubs and if you got through the club scene you know how to please a crowd. You know how to sense a crowd, anywhere you go. And if you didn’t know how to sense them you were done for, it’s like a death. Because a lot of these clubs in Britain were workman’s clubs. A LOT of them were workman’s clubs. And BIG clubs, mind you. If you were there on a Friday night and you were part of the performers or one of the performers you had better be GOOD because these guys weren’t in there just to listen to poetry, you know. And you didn’t, the ones that had drink in them too could terrify folk. I’ve seen people broken, absolutely broken because they had been trained by, you know, managers or teachers I would say, for certain types of music that was, [Alan chuckles.] would be fine in an opera house but not in some of these clubs. I’ve literally seen people cry and run off stage, just devastated, probably never go back again. But that’s what you sense if you’ve gone up through the clubs.
Other places, there could be a different mood, at that same club might have a different mood the next time or during the week or something. That’s how you learn, you see, these are professionals. Lots of the individual singers as well were singing happy-go-lucky songs, you know, boy/girl stuff. And it was all quiet, it was decent, that’s what young folk want to hear about. At least it was then. In come the 70s and they start to alter, on command, not by… You understand, you would have a whole bunch of different kinds, really different kinds of music if it was natural. You wouldn’t have, oh, suddenly THIS is popular and that’s ALL you’re going to hear unless it’s directed and managed, which it is, of course.
So out comes the new costumery and then the long hair came. It got so absurd with the long hair until the ones who they were promoting to be stars probably spent more on getting their hair permed than most women did. And I really mean that, you would see it all. Then the really tight pants. It was like painted on pants for goodness sake. Until you had to say, what are these characters? You start to wonder, you see. All by design. And everywhere you looked that’s all they would promote at one point. That happened. As I say, in a real system you’d have ALL kinds of music, not what they say, this is what’s popular, this is what we’ll push. No, what’s popular is what they MAKE to be popular. Everything else is excluded on purpose. That’s the culture, that’s what the culture industry does. And its agenda is far bigger, FAR bigger than to have you smile or cry at music.
[Alan Watt, Cutting through the Matrix, January 2021]
https://cuttingthroughthematrix.com/transcripts/Alan_Watt_CTTM_1814_Blurb_By_Lockdown_Planet_Sustainable_Becomes_Obtainable_Jan312021.htm